Rebecca Burns Aldridge

*NEW RELEASE!*

In this third book in the Flower Girls mystery series, the four young-at- heart (though not in years) protagonists, Tootsie, Bippy, Pen, and Rosemary, are at it again. They set out on the majestic Queen Mary 2 for a trip to Scotland. A body is discovered in one of the lifeboats just after they dock in Southampton, England, but the Flower Girls, unaware of the grisly discovery, go on their merry way to Scotland. After reading a newspaper article about the incident, which urged any passengers who disembarked at Southampton to report to the police, the Flower Girls do just that, and after a wild taxi ride to Police Scotland, begin a friendship with handsome Scottish Detective Campbell. Once more, the girls, who first dubbed themselves the Flower Girls for a garish, flower-bedecked dress they simultaneously bought in Mississippi years before, go from one dangerous, life-threatening situation to another and become embroiled in a high-stakes espionage plot. Even after their male counterparts arrive to help keep the girls out of trouble, danger haunts them as they try to solve the mysteries that follow them wherever they go.

There is a desperate race against the clock in the attempt to save two of the girls from death by degrees. Will the rescuers be in time? Could this be the last of the four Flower Girls, who have pledged to live all for one, one for all? The suspense is equaled only by the embracing love of the Scots, who surround them with friendliness, helpfulness, kindness, and sympathy.

A remote island paradise in the off season when few people are around. The startling washing ashore of bodies. The medical examiner’s ghastly discovery. Shocking warnings and life-threatening “accidents.” A life-or-death struggle. Lives changed forever.

In this sequel to Drop Dead Handsome, Tootsie, Bippy, Penelope, and Rosemary, who met and dubbed themselves the Flower Girls when they simultaneously placed a yellow rose on their friend Maggie’s coffin, reunite for a trip to a little-known barrier island off the North Carolina coast. These four friends, who were convinced that Maggie’s death was not an accident and pursued their own investigation, made a vow at that time to be forever “All for one, one for all.” Their commitment then to get together at least once a year to continue their new friendship leads them to the off-the-beaten-path island and to a danger so forbidding that they are forced to confront the very real possibility that they may be in too deep this time for one or all of them to survive.

When the idyllic scenery of White Sand Island is horrifically marred by bizarre murders, and a new friend on the island is harassed and threatened, the Flower Girls, with their characteristic good humor, intelligence, and steely determination, decide to get to the bottom of the mystery. In doing so, not knowing whom they can trust, they put their own lives in danger to an extent they have never before experienced. Even the four men who worked with them to solve their friend’s murder in Mississippi and who join them on the island—Maggie’s two brothers, the police lieutenant, and the man who found Maggie’s body—are unable to protect the Flower Girls from the danger that hounds and threatens them. Who is behind their terror? Who is so desperate to have them silenced? Will this be the end of one or all of them, these four who have pledged, “Tous pour un, un pour tous”?

A deserted sailboat. A gruesome “catch” by a fisherman. A woman’s “accidental” death. Her friends’ suspicions. Their subsequent dangerous–sometimes comic–investigation.

Four women, who live in various places of the South and are known to one another only through email, are brought together by a shattering phone call. That call tells them of the shocking and, to them, unsatisfactorily explained death of their mutual friend, Maggie Muldoon Palmer, a wealthy philanthropist in Mississippi. At Maggie’s funeral, in a simultaneous move that surprises the four strangers, they each lay a yellow rose, Maggie’s favorite flower, on the casket.

“The flower girls,” as they refer to themselves after the funeral, are not the usual run-of-the-mill detectives. Ranging in age from mid-forty to seventy, they are not the svelte, hip, grown-up version of Nancy Drew. It’s “The Golden Girls” meet Agatha Christie!

Although they are all single-or-single-again southern women, they are as different as can be. Tootsie dresses garishly, constantly nibbles peanut butter, and lives on the edge; the only thing Bippy likes more than eating is playing matchmaker; Penelope avoids wearing hearing aids because she is just “a little hard of hearing” and wears clothes that look as if she robbed a Goodwill box; Rosemary, a forty-something African American newspaper editor, betrayed by her ex-husband, is trying to resist falling in love.

With good humor, suspicion, and determination to get to the bottom of things, they distrust everyone: the man Maggie was going to marry, her brothers, and even the detective assigned to the case. All four Flower Girls are unprepared, not only for the danger which lies in wait for them by their stubborn refusal to accept Maggie’s death as an accident, but for the extent to which their lives are changed forever by their friendship.